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Howard and Bush continued to develop the film with the assistance of the Disney Story Trust, the studio's top creative personnel who meet regularly to review and discuss all projects in development.[45] The most delightful part of the spy film turned out to be its first act, set in a city created by and for animals.[42] To focus on the all-animal city, Howard eventually dropped the 1960s setting, along with the espionage and international aspects, and changed the film into a contemporary police procedural in which Nick Wilde was the lead role and Judy Hopps was essentially his sidekick.[42][45][46] For a while, "the filmmakers were very committed" to that version of the story,[45] but then in November 2014, the filmmakers realized the film's plot would be more engaging if they reversed the roles to instead focus on Hopps as opposed to Wilde.[46] The change in perspective involved dropping several characters, including two characters known as "The Gerbil Jerks" who were described as "trust-fund gerbils that had nothing better to do than harass Nick."[47]
Research for the film took place in Disney's Animal Kingdom, as well as in Kenya and the San Diego Zoo Safari Park, where animators spent eight months studying various animals' walk cycles as well as fur color.[50][51] Eight hundred thousand forms of mammals were created for and featured in the film.[51] To make the characters' fur even more realistic, they also went to the Natural History Museum of Los Angeles County to closely observe the appearance of fur with a microscope under a variety of lighting.[52][51] The filmmakers drew inspiration for Zootopia's urban design from major cities including New York City, San Francisco, Las Vegas, Paris, Shanghai, Hong Kong, and Brasília.[53] To develop a city that could actually be inhabited by talking mammals ranging in size from two inches (5.1 cm) to 27 feet (8.2 m) and from drastically different climates, the filmmakers consulted Americans with Disabilities Act specialists and HVAC system designers.[54] For assistance with designing motor vehicles appropriate for so many different types and sizes of mammals, the filmmakers consulted with J Mays, former chief creative officer of the Ford Motor Company.[55] During the development process, Walt Disney Studios chairman Alan F. Horn suggested that Nick should expressly state his disappointment ("Just when I thought someone actually believed in me...") after discovering that Judy still fears him as a predator.[56] In March 2015, it was revealed that Rich Moore (Wreck-It Ralph) had been added as a director of the film, in addition to Jared Bush (Penn Zero: Part-Time Hero) as co-director.[57]
Zootopia was the second time Disney used the Hyperion renderer, which they had first used on Big Hero 6. A new fur paradigm was added to the renderer to facilitate the creation of realistic images of the animals' dense fur. Nitro, a real-time display application developed since the making of Wreck-It Ralph, was used to make the fur more consistent, intact and subtle much more quickly, as opposed to the previous practice of having to predict how the fur would work while making and looking at silhouettes or poses for the character. The tree-and-plant generator Bonsai, first used in Frozen, was used to make numerous variations of trees with very detailed foliage.[51]
On May 6, 2015, Bateman and Ginnifer Goodwin were announced as having been cast, respectively, in the roles of Nick Wilde and Judy Hopps.[15] The filmmakers chose Bateman because they wanted an actor who could bring "a funny yet heartfelt side" with "a wily, dry-witted sort of voice". Bateman described his character as "a crafty, sarcastic schemer", remarking on the role's similarity to many other roles he had done since he was 12. He explained that he had said to the directors: "'What kind of voice do you guys want me to do?' And they just looked at me like I was an idiot and said, 'Just do what you do. Just talk.'"[59]
Also in The Daily Telegraph, Rosa Prince singled out the film's lead character, Judy Hopps, as a welcome change for Disney animated feature film heroines, such as the Disney Princess franchise. She found that unlike those characters' focus on romance or family loyalty, Hopps' focus is on her dream career as a police officer and serving her city.[163]
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